Bondage ça me plaît
Bologna
Domande dall’anima
Bologna
Il contorsionista
Bologna
Le spalle dei giganti
Trieste
Petali e spine nella carne
Bologna
Pistillo avvelenato
Bologna
Saudade
Trieste
Cuore
Bologna
Pensatore
Bologna
Sussurrando alla pelle
Bologna
Fuoco fatuo
Bologna
Postumi onirici
Bologna
Pulsar immobile
Bologna
Ottenebrato dalla notte
Bologna
C’è chi dice di te
Bologna
Albeggia
Bologna
come un petalo
Bologna
Sirena
Trieste
Osservare
Trieste
Perla
Trieste
Il pensatore
Bologna
silvia
Trieste
push!
Bologna
Meditare
Trieste
La nascita · Le Parche Clementi 1/3
Trieste
La morte · Le Parche Clementi 3/3
Trieste
La vita · Le Parche Clementi 2/3
Trieste
i bagnanti 1/2 · il bagnante
Roma
i bagnanti 2/2 · la bagnante
Roma
An Elephant in the Room 4/4
Roma
An Elephant in the Room 1/4
Roma
An Elephant in the Room 2/4
Roma
An Elephant in the Room 3/4
Roma
force inquiéte
Roma
Profilo
Roma
TIME
Roma
fantasmi
Roma
we are what we watch
I want to take you with me into this exploration of identity, of the unconscious, of memory.
Portraits of the Unknown was born in Rome, between 2018 and 2019, from an urgent need: to observe how the advent of the digital had changed the way we look at each other and at ourselves. I found myself surrounded by faces, real and virtual, and I asked myself what remained of the person once the social mask fell away.
I don’t paint specific bodies. I paint universal states of the soul, emotions as vibration of being. Every face I bring to canvas or paper disintegrates the individual social mask to reveal something that belongs to everyone: the awareness of being, the vibration of life.
My research on these characters proceeds through the study of forms, colors and symbols, searching for a universal representation of being, a communion beyond physicality. I don’t paint portraits in the traditional sense: I paint humanity as a portal, as a projection of possibility.
Each work in this series is a fragment of this investigation. Some faces emerge from darkness, others dissolve into color, others still are caught in a suspended, almost dreamlike moment. There is no single technique or format: oil, acrylic, spray paint, paper, canvas — whatever the specific image asked of me at that moment.
Portraits of the Unknown has traveled with me since Rome: it has been exhibited, it has grown, it has changed as I changed. It remains, to this day, one of the cores of my research as a painter.
I don’t know if you will recognize yourself in these faces. I hope so — that is exactly the point.
we are what we watch, and in these portraits I have tried to give shape to that watching, in an almost metaphysical context and subject.




































